The only thing stranger than the fact that I hadn’t heard of Joan Wasser and her band Joan as Police Woman until the other day is the fact that I feel like I’ve known her and her music for years. Or maybe the latter is not really so strange, considering the fact that after her tune Start of My Heart (video below) literally made me cry the first time I heard it, I immediately bought her 2008 release To Survive, and in the 48 hours since, have listened to it like, four times. And in between listens, have read about her career and listened to or watched anything by her that I can find. But even if I hadn’t so instantly fallen in love with her work, there’s an intimate intensity and emotional depth to most of it that would have eventually had the same effect. One imagines that some of the incredible depth and “realness” of her expression is informed by the loss of her partner Jeff Buckley back in the 90′s, and more recently her mother (the inspiration for the title track of “To Survive”) but her talent as an arranger and songwriter is remarkable in itself. Listening to her work one is slowly struck by its subtly. I say “slowly”, because her impeccable arrangements allow horns, backing vocals and other instrumentation to weave through the tunes so effortlessly that one barely notices their coming and going until repeated listens. It’s almost hard to believe that she is – as she implies at one point in this interview – an “ear musician”, saying that music theory “is just like math to me“. Although Wasser only has a few solo releases as a songwriter and vocalist, her resumé as a violinist extends back to the 1990′s and includes work with the likes of Lou Reed, Sheryl Crow, Sparklehorse, Elton John, David Sylvian, the Scissor Sisters, Antony and the Johnsons, Joseph Arthur, and Rufus Wainwright. I love that ex-Fishbone member Chris Dowd apparently praised her as a “soulful mothafucka” in the liner notes of a Seedy Arkhestra release. It’s that kind of reference that makes me hope Wasser finds the broader recognition that she deserves without a major label deal; I don’t think they’d know what to do with her! While her music has a mature honesty that is easily understood, there’s an intense beauty and strength in her face, her persona, and her work that defies definition, and would almost certainly be diluted and destroyed by the pop music packaging process. In spite of the fact that so far I’ve only picked up her 2008 release, I’m looking forward to her upcoming 2011 release “The Deep Field” (see clip below). Partly because the title references a place where galaxies are born, and partly because at this rate I will have listened to everything she’s done a couple hundred times by then.

Wasser talks about her upcoming release The Deep Field

Start Of My Heart

This is the tune that made me fall to my knees weeping. And maybe an example of how Wasser isn’t easily packaged. Maybe just close your eyes and listen.

Start Of My Heart Lyrics

You changed me
You chained me down and taught me
The damage I’ve done
(Damage I’ve done)
Can show me the way to my heart?

Sing, sing out my love
‘Cause I’ve been here before
And silence don’t get you a thing
(No, it don’t get you a thing)
I learned this on the way to my heart

It was with you Rivington deep
September we took the long way
And your hand led me home like Orion
You woke my heart with your northern lights
With your song

Yes you, you slay me origami dog
I wonder if you’ll do it again
(Please do it again)
I’ll thank you from the deep of my heart
I’ll thank you for the start of my heart