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Lady Sovereign May Be Short, But Not On Sass & Raw Talent

Topics: Music | Add A CommentBy admin | August 2, 2010

Never mind all the “British teenage lesbian rapper picked up by Def Jam” spin, and ignore her non-existent PR skills. Just have some fun with her tightly-produced Garage Grime.

Even though she’s been releasing material since 2004, you may have overlooked UK MC Lady Sovereign. That would be easy, she’s only 5’1″, a fact that she apparently has no discomfort with; her label is an EMI subsidiary called Midget Records. And while we’re at it, let’s get all the white British teenage lesbian rapper crap out of the way first thing. And don’t worry about her opinions on life either. Lady Sov probably needs a publicist or should let herself remain mysterious. She doesn’t work so well in an interview setting, so do yourself a favor and don’t bother watching or reading any interviews. Just listen to the music. She sort of proved her chops in 2005 anyway, when Jay-Z asked her for one on-the-spot freestyle before offering her a contract with Def Jam. Her 2006 release Public Warning was mostly synth and Eminem-style speed rap driven, but was punctuated with the occasional treated guitar or MIA-like whoops. 2009′s Jigsaw showed some maturing in her presentation; she almost kind of sings here and there, and comes across a little less like some punk out to prove herself. There’s still plenty of naivete, but that’s part of what makes it work. Lady Sovereign fills in a strange space between Die Antwoord, Robyn, MIA, Lily Allen, and Eminem, and if she manages to keep it together – she’s apparently a bit of a party monster – could turn out to be someone to keep an eye on. Vids below.

This is Lady Sov establishing her cred in 2005′s A Little Bit of Shhh by getting all Adidafied and rapping in a drainage ditch.

Yeah, 2009′s So Human is a straightup ripoff of the Cure’s Close to Me. But that’s okay. It works, and shows she can lighten up.

The video for I got You Dancin’ somehow feels like Lady Gaga went back to 1981 and hired Ian Dury and the Blockheads’ production team