Danger Mouse Needs A Remix
[ Comments Off ]Posted on April 20, 2010 by admin in Popular Media
Tuesday, April 20th, 2010The coolest Danger Mouse in the world has never jammed as Gnarls Barkley.
No not that Danger Mouse, I’m talking about this Danger Mouse. With production suspended on the next James Bond film, the world may need a stylish, sophisticated spy figure to fill in. And Danger Mouse may be just the ticket. If you were alive and paying attention in the 80′s, you probably caught at least one episode of the animated British series featuring the witty and articulate mouse and his pun-prone hamster sidekick Penfold. Watching the series now, it seems a bit dreary and highbrow, but this is really just a side-effect of the fact that at the time it was playing against a pop culture background colored by the the end of the cold war and the commercialization of punk. You also had to be a bit of an Anglophile to get into it; I remember a girlfriend at the time asking “just what language is he speaking, anyway?”, referring to Penfold. In spite of his relatively cult status, I think a properly revamped Danger Mouse could be absolute genius. It would certainly be more interesting than the reworking of that other, cocaine-sniffing mouse which is apparently already in the works. If you’re a Danger Mouse fan who’d forgotten the series existed, it’s available on DVD
Does PBS Frontline’s “Obama’s Deal” Indict Investigative Reporting Too?
[ Comments Off ]Posted on April 13, 2010 by admin in Popular Media
Tuesday, April 13th, 2010Now I know what the “BS” stands for, but what about the “P”?
Whether you’re a conservative or a liberal, watching the PBS Frontline program Obama’s Deal may leave you with some rather muddled feelings. If you’re an Obamaphile, you’ll jump to the president’s defense saying “Yeah, well, it’s Washington. There have to be some dirty deals made to get anything done“. If you’re a conservative, you’ll probably be left scratching your head, saying “Jeez. I had NO IDEA this guy was so COOL“. The program comes across as a low-key indictment of the methods president Obama utilized to drive home his health care “victory”. Which I find a little ironic. Not that I think they’re wrong in their highbrow, liberal elitist tsk-tsking observation that Obama is in fact “just another politician”, and for mostly political reasons has just done more to benefit the insurance companies than he has to benefit the American people. No, it’s the fact that – as much as I love the brilliantly produced show – to bother with this topic at all is a sort of meta-ironic commentary on the sad state of investigative reporting itself. I mean, where was their “investigative reporting” when this was all going down? It’s sort of like if we all knew that Nixon was a conniving manipulative bastard who would do anything to achieve his ends, so engineered and executed the Watergate burglaries with public transparency, and then Woodward & Bernstein came along and reported it on it. Sorry Frontline, I love you. But if this is your idea of news, I’ll stick with the Daily Show.
Red Letter Media – Brilliant, Hilarious, and… Annoying?
[ Comments Off ]Posted on April 6, 2010 by admin in Popular Media
Tuesday, April 6th, 2010It would just be silly for us to review a preview of a review of a movie, so we’ll let you decide for yourself what to think about YouTube celebrity critic Red Letter Media.
What’s one half brilliant comedy, one half insightful critical analysis, and one half annoying? The movie reviews by Red Letter Media, that’s what. Yeah, I know that’s three halves, but the math just feels right. I’ve never been a big fan of critics and movie reviews; there’s something intrinsically annoying about someone who doesn’t know how to do something sitting around telling you how someone who does didn’t do it right. We’ve mentioned the “meta” nature of recent pop media before, and this is where the Red Letter Media reviews of films like Star Wars: The Phantom Menace shine. If you haven’t seen them before, the reviews are a strange mix of childish complaints mixed with brilliant insights, delivered with a simple-minded but self-aware lowbrow humor. All read in a contrived voice that sounds like a cross between Strong Bad and Buffalo Bill from Silence of the Lambs . The reviews are sometimes almost as long as the movies they’re skewering, and sometimes worth the marathon, sometimes not. It would just be too meta even for my tastes to review a review of a movie, so I’ll let you decide for yourself. So who’s behind this madness? Surprisingly, it’s not some tormented nerd with a video camera like CopperCab, it’s an indy film actor/director/writer named Mike Stoklasa, who apparently collaborates with fellow indy filmmaker Jay Bauman. Read an interview Stoklasa here, and explore the reviews on Red Letter Media’s YouTube channel. Read the rest of this entry »
Life Is Short – Films Should Be Too
[ Comments Off ]Posted on March 31, 2010 by admin in Popular Media
Wednesday, March 31st, 2010The internet is one big film festival, and you can be the judge.
 Tokyo/Glow Is Gorgeous, Simple, and Short |
One of my only disappointments regarding the recent Ann Arbor Film Festival was that I didn’t catch enough of it. Which is a little amusing, since I had a press pass*, and it’s a festival comprised largely of short films. Which are coincidentally kind of a fetish of mine, largely because of my goldfish-like media attention span. I regrettably missed winner’s night, but was confident that I could cleverly find a lot of the films online like I had with some of the opening night entries. How wrong I was. What I quickly learned googling the festival winners was that there are two distinct schools of thought on distribution of these festival-oriented works: one that believes in the new economy of “release it free and cash in later” (as in Chris Anderson’s book Free), and one that maintains its cachet mainly via scarcity of distribution. Ah well. I guess I’ll just have to spend more time in real theaters, watching real films! Until then though, there’s a never-ending film festival online. The biggest problem ultimately is sorting through the astounding number of indy shorts out there to find that genuine gem. Which is – as I just learned – precisely one of the reasons to go to a festival. So with all my complaining about being short on time, it’s rather ironic that I spent as much time as I did to find some sites to share with you. Of the dozens of sites I perused, two that I found that seemed to have the highest density of quality films were probably NZShortFilm.com and CoffeeShorts. My search is only just beginning though; if you have any suggestions, feel free to share. Read the rest of this entry »
Indy Film Alive & Well At The 2010 Ann Arbor Film Festival
[ 1 Comment ]Posted on March 24, 2010 by admin in Popular Media
Wednesday, March 24th, 2010One of the world’s most respected and longest-running indy film festivals is in the tiny college town of Ann Arbor, Michigan, and if opening night is any indication, this year’s festival promises to be a winner.
I always think of myself as film lover until I find myself surrounded by the passionate fanatics that will comprise a festival like the amazingly long-lived Ann Arbor Film Festival, now in its 48th year. It’s quite a feat filling a classic venue like the 1700+ capacity Michigan Theater on a Wednesday night, especially showing short films that no-one has heard of, but the AAFF did well on their opening night; I didn’t check the balcony, but there were very few seats open on the main floor. I was a little anxious about attending a full evening of indy film festival shorts; the luxury of time-shifted viewing and Internet access to an amazing variety of indy media has made me something of an on-demand media monster. But the festival didn’t disappoint, which is another impressive feat. The double-edged sword of creating a successful festival like the AAFF is that – yes, of course, you’re guaranteed a lot of quality submissions from around the world – but as the festival’s Executive Director Donald Harrison pointed out in his introduction to the festival tonight, their screeners and programmers had to sift through over 2500 submissions this year. I get a headache just thinking about what that must be like. Combine the sheer quantity with the multiple media formats and preparation required for simply projecting the material, and if the festival takes place at all, a monumental task has been accomplished. Think about that if you happen to be lucky enough to attend the festival this year. If you aren’t able to attend the festival, a surprising number of the films are readily available on line. Of course nothing compares to seeing them on a huge classic theater screen like the Michigan, but below are a few highlights from tonight’s entries for your perusal. See the AAFF’s YouTube channel for more previews, and their web site for the week’s schedule and other festival details. Read the rest of this entry »