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Who Is Ann Arbor, And Why Are There So Many Movies About Her?

[ 5 Comments ]Posted on March 2, 2010 by admin in Popular Media

Tuesday, March 2nd, 2010

Ann Arbor is a town, not a woman, and the 48th annual Ann Arbor Film Festival is coming March 23-28, 2010.

Someone actually asked me that once when I lived in San Francisco. For the uninitiated, Ann Arbor isn’t a woman, it’s a small college town in Michigan that at one time was as cool as say, Berkley, California, but has since slowly morphed into a dreary backwater of uptight Republicans and Liberal Elitists. Although it lays claim to being somehow hip and progressive, very little really happens here, and in spite of all the amazingly creative people in the area, nothing clever ever seems to escape the local scene. I jest a bit; I’m probably just being bitter because I’m tired of the place and too lazy to do anything about the fact. It’s actually a pretty cool town considering the fact that it’s only six square blocks surrounded by cornfields and strip malls. Aside from the University of Michigan’s overfunded and underperforming football team, one thing that has put Ann Arbor on the map over the years – and with good reason – is the Ann Arbor Film Festival. The festival began in 1963 as a 16mm film festival operated by the University of Michigan, and grew over the years until 1983, when it started operating on its own as a 501(c)(3) non-profit. The festival has definitely had its ups and downs over the last few decades. One of its high points was probably the 2006 festival, when Christen McArdle became executive director. McArdle not only seemed to bring a new level of professionalism to the festival (she was working for John Cusack’s New Crime Productions in LA prior to taking over), but the festival was lucky to have her at the helm that year, because she stuck to her guns when the Michigan Council for the Arts questioned the festival’s content and threatened to cut funding. The festival told them to keep their money, and managed to raise their own, showing that indy film is indeed alive and kicking. For a detailed account, see this NAMAC article by Jay Nelson. Although I barely met McArdle, anyone who questions her impact on the festival didn’t see her at the Judge’s Dinner her first year. I watched in amazement Read the rest of this entry »

Repo Man’s Bastard Spawn: Repo Chick & Repo Men

[ 1 Comment ]Posted on January 26, 2010 by admin in Popular Media

Tuesday, January 26th, 2010

Two new movies are being released that claim no connection to Repo Man, yet both are framing all their marketing around its cult brand. I’m Lookin for the Joke with a Microscope.

As countercultural post art-punk film lovers in the 80′s, my unjustifiably snobbish friends and I weren’t too taken with Repo Man on its release. We felt that punk that called itself punk was nothing more than a cartoon of rebellion, so a movie with a soundtrack featuring Black Flag and the Circle Jerks just didn’t fly with us. I came to my senses a few years later when I re-watched the film during the heyday of indy film in the late 80′s and early 90′s, and although I haven’t seen it in a while, it remains on my mental list of cult favorites. Which is part of why I’m tremendously amused with the buzz surrounding the release of both Repo Chick and Repo Men! (YouTube trailer links) this year. If you haven’t followed the story around the release of the films, it goes something like this: Repo Man director Alex Cox was busy developing “Repo Chick”, which he emphatically stated in early press was not a sequel to Repo Man. With movie studios being the litigation-fueled monsters that they are, Universal Pictures (which has rights to Repo Man) sent Cox a cease-and-desist, pulled a film they had shelved since 2008 called “Repossession Mambo” from the vaults, and rechristened it “Repo Men!” for release this year, almost concurrent with Repo Chick. Universal’s strategy is both fitting and ironic in a time of auto-industry bailouts and mortgage foreclosures, and adds an amusing media backdrop for the release of both films, which probably couldn’t have less in common. Repo Chick was produced by David Lynch, and was shot on green-screen with Red HD cameras. It’s been called a “farcical anti-golf parody”, and if the trailers are any indication, looks like it’ll be brilliantly campy. Repo Men, on the other hand, is a rather expensive looking action/adventure flick in which Jude Law plays a repo man who works for a company that reposseses your body organs when you miss a payment. Personally, I’m looking forward to both. I just hope Universal doesn’t manage to repo the rights to Cox’s non-sequel while cashing in on the name with their own “non-sequel”. Cox has an interesting spin on the whole story on his blog, which is impossible to link to directly, so we’ve included it below, along with trailers for both films.

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Noah and the Whale – The First Days of Spring

[ Comments Off ]Posted on November 10, 2009 by admin in Music

Tuesday, November 10th, 2009

The new release from Noah and the Whale is more than a breakup album; it’s a 45 minute breakup film as well.

The other day a friend of mine in Scotland turned me on to the latest Noah and the Whale release The First Days of Spring. I’m not always a huge fan of bands that might fall into some sort of alt/folk category, but this release is indeed “pure, dead gorgeous”, as my friend put it. The release is in one way a classic “breakup album”, but with a twist: it was conceived alongside a 45 minute film produced by the band. You can view the trailer at left, which features the wistfully hopeful Blue Skies. If the trailer is any indication, the film should be well worth a view on its own; with some compelling images and editing, they’ve cleverly created the feeling that you’re viewing an extended trailer from a non-existent conventional feature film that used their music. It’ll be interesting to see how they actually distribute the film; so far it’s only been shown at special screenings, and as of this writing there are no more US dates. It will, however, be available on DVD as part of an upcoming 2-disc edition. I would think they’d make it more available to coincide with release dates, but releasing a conceptual, slightly abstract film in conjunction with an album of songs is bold, uncharted….oh wait. Never mind. Read the rest of this entry »

Short Sites Worth A Long Look

[ 2 Comments ]Posted on October 26, 2008 by admin in Popular Media, Technology

Sunday, October 26th, 2008

Another reason to cancel your cable service

I’ve mentioned before why my goldfish-like attention span is a perfect fit for the YouTube era of short media. That’s why I was especially excited recently to discover two new HD-quality sites that focus specifically on short films and music videos. The clip at left is the first episode of Emily Time, a weekly show delivered only via the web at historyandtheuniverse.com, along with another show called Big Book of Lies. Both programs were created by David Lampson, a 29-year-old television writer from Boston who produces the shows in Buenos Aires. Both shows are quirky, cinematically slick, and intelligent. Big Book of Lies, for instance, features a dryly absurd, on-going subplot about Noam Chomsky’s sons Buck (a struggling beatbox artist) and John (a cop). On a grander scale, Australia-based PortableFilmFestival.com has a broad selection of seriously high-quality shorts that are “curated” by independent film professionals, guaranteeing a certain level of quality of content. After a painless (takes about 10 seconds and they don’t make you jump through any hoops) account signup, you’re able to view AND download some of the best indy film out there.

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