A few years ago, my friend Terry Osterhout had a great idea: a zombie movie called “Hybrid”, completely produced with user-submitted material. Although a lot of buzz was generated, the submissions never really poured in. I think he was a little ahead of his time; crowdsourcing seems to be the hot new thing now, thanks to the rise of social networking, especially Facebook and Twitter. We recently wrote about the crowdsourced video for the the Japanese pop band Sour’s song “Hibi no Neiro”, but there’s much more afoot: after considerable success launching the project “Live Music” (see the clip at left) via Facebook, the project is being backed by Sony and Intel for release this fall. There’s also This Movie is Broken, a movie about the Canadian band Broken Social Scene and (this will turn out well) Star Wars Uncut which slices “Star Wars: A New Hope” into 472 separate 15 second clips, to be filmed by 472 different users. This kind of “socialist filmmaking” can have beautiful results, as when Israeli artist Kutiman Remixed YouTube or when a non-profit assembles a project like Playing for Change. But can this kind of project really shape up without a healthy injection of capitalist greed? The most successful project like this so far has been Live Music, and as this CartoonBrew article points out, it’s heavily funded by corporate sponsorship. I guess there’s always crowdfunding as an alternative. This Mashable article asks if it is in fact the future of journalism. There’s been a lot of talk about Free Stuff lately, and I have to say: few know better than I how little people who like your work will pay you when you don’t directly charge for it.