« Older Entries |

Lol Creme & Kevin Godley’s Brilliant and Obscure Recording “Consequences”

[ Comments Off ]Posted on January 16, 2013 by admin in Music

Wednesday, January 16th, 2013

One of the annoying things about brilliantly obscure and hard to find music is how brilliantly obscure and hard to find it is. From the liner notes: “In nature, there are neither rewards nor punishments – there are Consequences.” ~ R.G.Ingersoll, 1833-1899


This promotional poster by
Philip Chudy turned out to
be disturbingly prescient

The other day, I was transported to a surreal yet somehow comforting place I hadn’t been in years. No, I didn’t drop acid or hit the clubs on ecstasy, I borrowed a turntable from a friend so I could listen to their exceptionally rare vinyl copy of a brilliantly eccentic triple album released in 1977 called Consequences. Somewhere in the obscure soundscape between seventies art rock, the hallucinatory audio comedy and Joycean satire of Firesign Theatre, the silliness of Monty Python, the otherwise non-existent art form Jazz Opera, and Bubble Gum Pop lies the unique experience created on this album by Lol Creme and Kevin Godley. You’ll be forgiven for never having heard of it; although it is in a way a masterpiece of its era, in this case “its era” means the days of lush and meandering exploration of sound and story in the form of a rock opera. The term “rock opera” doesn’t really do it justice though; it is in fact often referred to by its die-hard fans as a “movie for the blind”. Aside from the relative obscurity of its creators (something I’ll get back to below) and its daring and experimental approach, the release was probably more doomed to obscurity by the timing of its release. One of the more popular sounds in 1977 was the dull thud of dinosaur rock finally stumbling to its death, a sound only subtly masked by the sound of aging white guys hitting the studios to churn out the year’s biggest hits like The Grand Illusion by Styx, Billy Joel’s The Stranger, Point Of Know Return by Kansas, and that death certificate of rock and roll, Foreigner. At the same time, groups like The Sex Pistols, Elvis Costello, Talking Heads, Blondie, and The Ramones were signaling the wave to come. Even if it weren’t so peculiar, it stood little chance of getting listened to at the time.

All the same, I’ve never understood the obscurity of the duo that created Consequences; you would probably know them best from their time with the British pop group 10cc when they produced the band’s biggest hit I’m Not In Love , or long after they left the band, from their club hit of the late eighties Cry (both videos below). But especially in the years between 1977 and 1980, they produced a series of utterly brilliant Read the rest of this entry »

Download the New Pussy Riot Release Kill The Sexist

[ Comments Off ]Posted on August 22, 2012 by admin in Music

Wednesday, August 22nd, 2012

If you can find it. But rather than spending your time downloading free music by a non-existent band called Pussy Riot, why not just give them some money via Free Pussy Riot so they have some hope of actually being free?

If you haven’t heard about Pussy Riot, you couldn’t possibly be reading this, because this is the internet, and you’re on it, and “you can’t swing a dead cat without hitting a reference to Pussy Riot lately”, as my grandpa might say, if he were alive, and if he had heard of them. Which he would have. Because he was English, and The Guardian got exclusive rights to their latest video release, and he would have watched it, because he was a rascal. But have you HEARD Pussy Riot? I’m willing to bet not. In much the same way that people rail on Justin Bieber without actually having given him a listen, people are willing to get all up in arms about a band in Russia that they’d never heard of until last week, and definitely never listened to.

So ponder this. Are you even sure they’re an actual band? I’d argue they’re not, based on output and substance. I did my best to track down a way to buy a CD, and gave up. I eventually tried their MySpace page, and after getting annoyed with MySpace for trying to force me to update Flash and link my Facebook account, I suddenly realized that it was the WRONG PUSSY RIOT. It’s an Italian band from six years ago. Eventually I found and downloaded the collection called “Pussy Riot – Kill The Sexiest” [sic], and gave it a listen. Well, that didn’t take long. The longest of the songs clocks in at 2:11, and the total running time was 10:15. Probably the most interesting thing about it remains the rebellion behind it, not the music. As this review points out, some of content in these one-minute wonders is actually sampled from eighties punk, sort of completing a weird circle of irony.

Personally, I remain adamant in my support of Pussy Riot, merely on the basis of the absurd harshness of their sentence. But I’m perhaps much more impressed with the media savvy behind the “band” than even their ideology. One thing that never gets mentioned in major media pieces is that Pussy Riot is an offshoot of the Voina group, which was established in 2007. The band itself was really formed just last year, as a direct response to a decision by former President and current Prime Minister Dmitry Medvedev not to run for re-election as president. As the husband of Pussy Riot’s Nadezhda Tolokonnikova points out in this Spiegel interview, it wouldn’t be especially prudent to go into detail about their long term planning and the details of their “marketing strategy”, but rest assured, one exists. From the brightly colored balaclavas to the harmless looking threesome that took the fall (with amazing resilience under oppressive prison conditions, by the way), there was a plan behind Pussy Riot. But not much of a “band”. Sheer genius in activism, and a worthy cause. I hope my fellow citizens here in the states don’t wait until things are as bad here as they are in Russia before they get this savvy and productive when it comes to standing up for freedom. And fuck twats like Vadim Nikitin of the NYT who offer up liberal elite analysis questioning westerners’ support for the group, comparing Pussy Riot to Alexander Solzhenitsyn. The issue here is resisting authoritarianism, not the kind of dumbass debates Americans are having right now, like whether or not Romney is testing well with black voters, or whether Obama plays too much golf.

If you haven’t actually listened to Pussy Riot, some clips are below, and you should have no trouble finding more tracks by Googling “Pussy Riot – Kill The Sexiest” [sic]. And since downloading the songs for free won’t do them OR your ears much good, visit FreePussyRiot.org to donate to the defense fund and generally keep up to date. Oh, and remember, there are Read the rest of this entry »

The Swede Smell of Success – Rebecca & Fiona’s “I Love You Man”

[ Comments Off ]Posted on February 4, 2012 by admin in Music

Saturday, February 4th, 2012

Whenever I want to dance alone in my apartment, I drive my music snob friends away with some awesome Europop like Rebecca & Fiona

I occasionally find myself a sudden musical outcast amongst my friends. A lot of music lovers I know are frankly arrogant snobs, or so niche-obsessed as to be musically misanthropic, so when I go on a bender with something like Robyn, Die Antwoord, or Lady Sovereign, they just avoid me for a few days, or ask me how my Rebecca Black fan club is doing. Or walk around with their fingers in their ears saying “la la la la” thinking I’ll shut it off or something. Well, it looks like I’ll have some time to myself for a day or two as I keep Rebecca & Fiona on regular rotation. I first heard of them because of this fan video (also below) which is kind of an editing gem on its own. I then went down the YouTube Rabbit Hole for a while, and realized I had to have more, so I picked up I Love You, Man, their latest release. If you liked the Europoppier bands on Pitchfork’s 2007 best of list, and if you like the girly, talk-singy vocal stylings of Norway’s Ephemera, Rebecca & Fiona may find a place on your list. Their slightly derivative sound is part of their appeal to me; it’s sort of like a weird amalgam of 80′s girl bands like Bananarama, the aforementioned more recent Europop, and some particularly smooth looped and ducking-tweaked dance music. Which all makes sense; the Swedish duo found fame mostly via a Swedish reality TV show which followed them as they pursued their budding music/DJ career as hardworking teens. Keep your eyes on these two, they’ve been winning international mixing contests as DJ’s, and getting lots of remix attention as artists themselves. Read the rest of this entry »

Joan As Police Woman’s “The Deep Field” Maintains The Magic

[ Comments Off ]Posted on January 25, 2011 by admin in Music

Tuesday, January 25th, 2011

Joan Wasser’s band Joan As Police Woman keeps the soulful genius soaring with their new release “The Deep Field”. I just wish I could buy a copy.


Released yesterday. Unless you live in the US.

The fact that I don’t have a copy of my favorite new album – which I listened to twice today – says a lot about the current state of music marketing. More on that further on. First, I just have to say that I’m not sure I have the words to describe the soulful genius of Joan Wasser, and the music she’s been creating with her band Joan As Police Woman, a soulful genius that I’m glad to say she has maintained on her latest release The Deep Field. I tend to agree with whomever it was that said that “writing about music is like dancing about architecture”, and this often misattributed adage is especially fitting in the case of Joan Wasser, because the exacting structure and soaring contours of her work will indeed cause dancing. In your heart, your head, and your feet. The range of expression in her voice – from the plaintively longing, to the wryly knowing, to the joyous and capricious – is a rare treasure in contemporary pop. When you read reviews that use expressions like “full of meditative beauty…ravishing and lovelorn” (Mojo) and “achingly beautiful” (The Word), they really mean it. Wasser’s rich and sophisticated song constructions are the perfect roiling atmosphere for her voice to soar on and dive through, swooping through pain, joy, resurrection, reclamation, ecstasy, anger, and maybe even the occasional coy pout. “The Deep Field” maintains the momentum of her previous two releases Real Life and To Survive, perhaps kicking the overall dynamics up a notch with some perfectly restrained guitar wailing, slightly gritty electric piano, and more dynamic use of horns. The bass work is impeccable too; I was actually relieved to learn that there were five bassists used throughout. I think I would be frightened by a single bass player that could pull off that range of sounds and dynamics. I realize I probably sound like some kind of emissary from The Church Of Joan, so yes, I’ll admit that on top of the tremendous musical admiration, I’m a little crushy on her. How could I not be? The same seasoned but vulnerable beauty that permeates her music is reflected in her eyes and face. She’s like a bluesy neo-classical muse of emotion that can make you smile, cry, wallow in detached melancholy, or nod in knowing agreement at life’s complexly textured revelations. Keep the music coming Joan, I think I may eventually discover bliss via meticulously crafted songwriting if your creation stays on the upward arc it’s following. And the marketing reference I made at the outset? My only disappointment with Joan As Police Woman so far has been that I couldn’t procure the actual album (which I’d been eagerly waiting to do since January 3) yesterday, on what was broadly promoted as the release date. It turns out suddenly that the US release date is February 1 on Amazon, or April 12 if you buy directly from the Joan As Police Woman site. We sent a message to the “Management” e-mail address on the JAPW site yesterday to ask about the yawning chasm between the US and non-US release dates, but haven’t received a reply. I personally listened to the release on a friend’s iPod today, and it was only out of grudging fanboy respect that I said “no thanks” when he offered to let me copy his VBR mp3′s. I’ll be following up with the label to see what gives; this is not a particularly brilliant way to release music in today’s digital marketplace of torrent-happy fans. I myself might even justify paying for the album now, and securing a copy through other means prior to the official US release date. And as I said a few weeks ago, I’m all about buying indy music and not torrenting it these days. But let’s be real – it’s simply common sense that there will be a ton of sales lost in the US because of this, isn’t it?

10 Songs That May Make People Cry

[ Comments Off ]Posted on January 18, 2011 by admin in Music

Tuesday, January 18th, 2011

Music is magical if only for the fact that it makes humans dance around with nothing more than subtle vibrations of air, but things get even more interesting when it makes their eyes leak salt water. Are there songs that make YOU cry?


This is Anna Karina, after
listening to my compilation.

I’ve often said that one of the reasons I love music so much is that it’s virtually indistinguishable from magic. How else do you explain the fact that by sending subtle vibrations into the air, you can make humans gyrate uncontrollably, tap their toes and fingers, or even march to war. While these audio-induced rhythmic nervous system reactions seem easily explainable as a simple stimulus/response process, you can also use these subtle vibrations to cause less predictable responses, like the release of salt water from their eyes. To me, the latter is perhaps the most intriguing result of these subtle vibrations of air, because although humans usually reserve this release of fluid from the eyes for moments of sadness or physical pain, when a person cries in reaction to a piece of music (unless of course they’re just crying because it’s a really horrible Justin Bieber song) it can be nearly impossible to determine if they’re crying because they’re happy or sad, inspired, proud of their country, or some mixture of all of these feelings and more. I got the idea to compile this list more out of curiosity regarding what makes *other people cry, but once I got going, I got a little obsessed, and perhaps a little embarrassed. I had forgotten, for instance, that I had a playlist called “Music To Hang Yourself By”, or that a song by a band with a name like “Goo Goo Dolls” could make me cry. A lot of more obviously sad songs have little effect on me; frankly, the best way to ensure that I don’t cry when I hear a piece of music is if the tune starts off by saying something descriptively sad in the lyrics. I find it more effective when the singer first claims they’re doing just fine, and then rips it up, implying with plaintive wailing – but never admitting – that suicide will be their only salvation. Below are just a few tunes that are likely to jerk a tear from my eye. I included a few obvious ones like “Hallelujah” and “Crying”, and a few cheesy ones for sentimental reasons, but omitted many, many more, mostly because I’d like to know what makes YOU cry. So give it up. What makes you weepy? Read the rest of this entry »

« Older Entries |